Intimacy and Virtuosity

When my mother was pregnant with me, on most days, if not every day, she played her LP of Beethoven’s Violin Concerto in D major, performed by Arthur Grumiaux and the Concertgebouw Orchestra, Amsterdam.  A genius work of classical music, and a genius performance, thus infused my pre-natal life, and, I am certain, prepared me to want the same constant company of great music in my life.
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Ripeness is All

In the epic catalogue of jazz heroes whose home is Philadelphia are the fantastic names of musicians of singular greatness, who have given the world a vivifying and revivifying legacy of invention, of craft, and of, what poet Hayden Carruth called, “the joy and agony of Improvisation”: John Coltrane, McCoy Tyner, Clifford Brown, Doc Cheatham, Stan Getz, Billy Holiday, Stanley Clarke, Sonny Fortune, Jaco Pastorius, The Brecker Brothers, Christian McBride, Bobby Timmons, Lee Morgan, James Mtume, Sun Ra, and, and, and…

…and pianist and composer Kenny Barron.
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Swaying But Not Quite Swayed Sway Machine In Concert At NMAJH

The music group The Sway Machine made its Philadelphia debut the evening of September 20, 2012, at the National Museum of American Jewish History, performing a cycle of songs titled “Hidden Melodies Revealed,” which the group describes as “a secret celebration of Rosh HaShanah.” For this Philadelphia performance, The Sway Machine was Jeremiah Lockwood (guitar, vocals, composition/storytelling), John Bollinger (drums), Stuart Bogie (tenor sax), Jordan McLean (trumpet), and Nikhil Yerawadekar (electric bass). Each of these musicians is a prolific performer and collaborator, with each other and with many another group. The group’s ‘sound’, its ideal to which it is attuned and its traditional referential of origin, is a confluence and combination of various, call them, lineages of music: Klezmer, Jewish cantorial music (Jeremiah Lockwood is the grandson of cantor Jacob Konigsberg), the music of Mali guitarist, singer, and composer Ali Farka Toure, to name just these.
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