Seven days into the new administration, the new president issued an executive order against refugees, immigrants and Muslims. It was ironic that this action took place on Holocaust Remembrance Day.Organizations, clergy and regular citizens like me mobilized with an ad hoc protest rally at the Philadelphia airport. We were told to stay off the sidewalk and to congregate in the traffic lane outside the international arrivals hall. Frankly, I was not concerned for my safety until I saw the line-up of police. [Read more…]
Now that we’ve passed another Day of Judgment, we can ask ourselves what are we going to do with the life that we’ve been granted? Do we live up to our values, our ideals? Since my teens, I’ve been passionate about worldly causes, but it has always been a challenge to maintain the delicate balance between the sacred and the secular. [Read more…]
Professor James Morone of Brown University’s Department of Political Science spoke on “Why is American Politics So Loud And What Can We Do About It?” earlier this year in Philadelphia. He is the author of The Devils We Know: Us and Them in America’s Raucous Political Culture.
The Book of Ruth, which is read on Shavuot, narrates the beautiful story of Judaism’s most famous convert. For me, Shavuot seems a most opportune time to recall my own conversion. [Read more…]
Topping the highlights of an exciting career as an FBI agent, Robert Wittman would include his adventure tracking down the long-lost private journal of Alfred Rosenberg, the man who, as the Nazi Party’s chief ideologue, laid the philosophical foundations for the Holocaust. He spoke at Main Point Books in Bryn Mawr.
The Devil’s Diary is a game-changing true World War II narrative wrapped in a riveting detective story. Wittman and his co-author, journalist David Kinney, mine the diary’s long-hidden contents to create a ground-breaking, page-turning account of the Nazi rise to power, the Final Solution, and Germany’s brutal occupation of the Soviet Union.
There is also local historical resonance for the book. Dr. Robert Kempner, the Jewish refugee from Germany who served with the American prosecutors at the Nuremburg trials, owned a house in Landsdowne, PA and he spirited away 29 boxes of original documentation (“weighing more than 8,000 pounds”) from governmental jurisdiction. Also, in case you wonder about the lineage for Alfred Rosenberg, the “devil” in the book title, Kempner kept Rosenberg’s personal ahnentafel, a family tree drawn up to prove that he had no Jewish relatives.
When asked how is life after retiring from the FBI and Wittman responded that it’s better! He now does private investigative work and, whereas, the FBI only handles criminal cases, he can now handle civil cases such as for Rosenberg’s diary. Both of his sons have helped with his investigative work, including the Rosenberg case, but they’ve both moved on to separate careers. So, does he need a student intern? Yes, but risks are rather high, so he has not hired any other students.
In the new book, Fever at Dawn, a fictionalized account of his parents’ courtship, the Hungarian film director Péter Gárdos writes that after surviving the worst of the Nazi death camps, Lili Reich wanted to convert out of Judaism (as if it would have mattered to the Nazis). Her suitor, Miklós Gárdos, was an atheist anyway, so he sought out a Catholic priest in a remote little church to do so. They had started out as pen pals, after Miklós sought out all the Hungarian women recuperating in Sweden, under age 30.
Rabbi Emil Kronheim heard about their intent, through the letters of Lili’s friend, and he arrived to stop them with a creative offer: he would marry them under a chuppah in a synagogue in Stockholm. He’ll foot the bill for the ceremony, the clothes, and a reception for their friends. He even promised the Red Cross would be obligated to provide them with a room of their own afterwards. They accepted.
I believe the facts are all true, but the conversations are re-created from their diaries. A delightful story and an unique take on the Holocaust memoirs.
On Thursday, I attended a fascinating lecture at Drexel’s Judaic Studies department. The guest speaker was Lisa Moses Leff, whose new book, The Archive Thief: The Man Who Salvaged French Jewish History in the Wake of the Holocaust, is about Zosa Szajkowski, who single-mindedly rescued Jewish books and documents from Germany and France, as an immigrant American GI paratrooper during WWII.
Szajkowski brazenly used the U.S. Army free courier service to ship his parcels back — some two or three in a day — to New York, the last remaining branch of the YIVO Institute for Jewish Research. He continued to steal Jewish documents after the war and he financed his own scholarship by selling them piecemeal to Jewish institutions in the United States and Israel; the two top buyers were the Jewish Theological Seminary and the Hebrew Union College. He was eventually caught red-handed and he committed suicide in 1978.
When Dr. Leff, Associate Professor at American University, interviewed the elderly librarians who’d acquired the documents, knowing of their sketchy provenance, she found that they were proud of helping to rescue Jewish written material from the Nazis. However, some of the items were taken from institutions that survived the war, and there remain big gaps in the European archives. Everyone knew of Szajkowski in the library and archive community, but he was never publically named.
Ironically, the stolen documents have gained better care, having been catalogued and made available for scholarship. Indeed, when one librarian was asked about giving back the documents, he retorted that they — the European institutions — should pay for all the years of care and storage! Zosa Szajkowski, with his looting and his scholarship, singlehandedly established the field of Jewish historical research, using documents of ordinary Jews. So, do you think the end justifies the means?
On Tuesday night, I attended a viewing of the documentary film Refugee Kids, about an American program set up for refugee children. Run by the International Rescue Committee (founded by Albert Einstein to rescue Jewish refugees), the Refugee Youth Summer Academy transforms 120 kids speaking 26 languages from the world’s hot spots – Iraq, Egypt, West Africa, Tibet, Burma and Bhutan – from tongue-tied newcomers into confident, savvy New Yorkers over the course of a six-week program.
There is Helen, a 16-year-old Burmese refugee, who effortlessly translated from English to Burmese to Chin to Thai to Nepali. There is Tek Nath, who in his first six months in America, did more than most adults: he leased the family apartment, translated for the surgeons operating on his brother’s heart, applied for the family’s green cards, opened bank accounts, and tutored both parents and younger siblings in English – and all the while maintaining straight A’s in his school work. Tek Nath is a 17-year-old who had spent his entire life in a rural Nepalese refugee camp where he had virtually no English instruction.
George from Liberia had lost both parents at a very early age and was raised in Staten Island where he was confronted with the brutality of gang violence and yet still emerged as a student mentor, exhibiting leadership skills. There are also the siblings who faced long separations from their families: Rigzin and Tashi from Tibet who are reunited with their parents in Brooklyn after eight years spent at the Dalai Lama’s refugee school in India; and Ida and Jennifer from Togo who were raised by their aunt and encountered an unforeseen family tragedy — fire and death of a young sister– upon their arrival in the Bronx.
The directors, Renee Silverman and Peter Miller, added to their footage with interviews in the children’s homes and in their communities. The children narrated their often harrowing back stories in hand-drawn pictures, which were animated by the talented Brian O’Connell. Liz Swados, the beloved composer, recorded an original score before her untimely death. Editor Aaron Vega wove the many stories together into a cogent, short film as his last project before winning a seat as American state legislator in the Massachusetts House of Representatives.
Refugee Kids is the second film by Silverman and Miller, following their teen Holocaust theater story, Sosua: Make a Better World. Miller writes, “It’s something of a miracle that we were able to shoot, edit, and complete Refugee Kids for what might be the lunch budget of normal film, but we were blessed with generous and talented friends.”
The screening at Rodeph Shalom was sponsored by HIAS PA and the American Jewish Committee. HIAS PA runs a similar summer tutoring program, and it welcomes volunteer tutors and donations of books.
In a rare visit to the cinema, I was subjected to trailer after trailer for films predominantly about apocalyptic battles. Digital technology has made ever more realistic and accessible the horrors of world chaos, so we have live updates on military coups and grass-roots revolutions. Far less compelling, it seems, is the actual governance of peoples. As King George taunts his former subjects in the musical Hamilton, “It’s much harder to lead.” We should learn about our country’s failures.
My daughter and I recently saw Allegiance on Broadway. It is an emotionally evocative musical based on the experience of George Takei’s family. Takei is best known for playing Hikaru Sulu in the original Star Trek television show. They were among the 120,000 Japanese-Americans forced into internment camps during World War II. Their homes and businesses were either confiscated or sold at a fraction of their value (such as $2,000 for land worth $20,000). At war’s end, they were given a bus ticket and $25 in cash. The government did not apologize for their unjust treatment and offered no assistance in their social re-integration. I was teary-eyed from the very first song, and later heard the audience crying in surround sound.
Among the new shows on Broadway, three are about immigrants: Hamilton, Allegiance, and On Your Feet, about Gloria and Emilio Estefan. The director of Hamilton has added an extra pause to accommodate the audience’s cheers when the Marquis de Lafayette says, “Immigrants — we get the job done.”
During World War II, Hollywood and United States government sought to calm public anxiety with upbeat fantasies and explicit propaganda. In our time, Hollywood gives us dismal horror stories, which do not seem to offer much hope. In my reading of anthropology, we homo sapiens have prevailed over greater odds — the Ice Age, larger predators — without the technological tools and brain power available to us now. Good leadership sets the tone and resolve in facing major societal issues, but lately our leaders are trailing the people in action.
My rabbi teaches that what you take pleasure in reveals your values. I ask, what values are we demonstrating with our devotion to these stories? A taste for world domination? A penchant for violence? I long for a shared sense of humanity, where we acknowledge the need to live together in harmony for the continuation of Planet Earth. The threat of climate change will vastly exceed the threat of militant Islam. Let’s focus on making this world the one in which we wish to live.
Remember a few years back when Americans thought Israeli food meant hummus (which they mistakenly pronounced as hum-mus, as in soil or decayed plant matter)? Michael Solomonov was amongst the individuals who changed the public’s perception of Israeli cuisine. On Sunday, Main Point Books in Bryn Mawr welcomed superstar chef Solomonov and his partner, Steve Cook to speak about their new cookbook, Zahav, which has been selling like the proverbial hotcakes. The cookbook is fine for kosher households, because the recipes do not call for shellfish and do not mix meat and dairy ingredients. If you cannot get a table at the restaurant, do get the gorgeous book and have fun trying the recipes!
Before Solomonov won the James Beard Foundation award for Best Chef: Mid-Atlantic in 2011 and he became a national celebrity through the pages of Bon Appetit and Food and Wine, Michael was a youngster who moved between Israel and the United States with his parents. He was a picky eater and he had no ambition in life. When he got a job at a bakery in Israel, working 14-hour days for $2.50 an hour, his family was simply relieved that he was not in jail. However, the pivotal moment for Michael’s life was the death of his younger brother, David, who was killed while on volunteer duty during Yom Kippur of 2003, just days before his release from the Israeli Army service.
The search for meaning eventually led Michael to a sober life, focused on presenting the best of Israeli cuisine, applying Middle Eastern techniques and spices to locally sourced produce. When it’s not sustainable to import tomatoes in January, he can simulate the taste of Israeli food with local pumpkin and persimmon. What is particularly inspirational about his journey is that he and his family could not have predicted his career trajectory. With much hard work and learning on the job — they were on the brink of closing the currently wildly popular restaurant Zahav — Michael can serve as a poster child for the late bloomer, one who was not engaged by school.
Solomonov and his partner will soon launch the Rooster Soup Company, a deli-style place that serves only sandwiches and soup, the latter made from the bones and parts of the 1,000-plus chickens used in their Federal Donuts operation (that serves only donuts in the morning and fried chicken in the afternoon). All the proceeds from Rooster Soup will benefit the Broad Street Ministry to their work in providing meals and services to vulnerable and homeless Philadelphians. It is set to open at 1526 Sansom Street (in the former home of Sansom Street Kabob House).
Another exciting project of his of note to foodies is the January release date of his documentary, >The Search for Israeli Cuisine, which will be picked up by PBS in the spring. Solomonov was followed around Israel by two-time Academy Award nominee and James Beard Award-winning filmmaker Roger Sherman. They filmed each day at five locations and Michael marveled that each food venue was new to him, who’d lived there. So imagine the novelty to us Americans, who are merely visitors to the Holy Land.
It may be surprising to learn that a major culinary revolution is taking place in a country so frequently associated with political drama. In just thirty years, Israel has gone from having no fine food to call its own to a cuisine that is world-renowned.
Chef Michael Solomonov, a young, inspiring Israeli born American grew up in Pittsburgh. Solo, as he's known, travels all over Israel, eating and talking about how ethnic traditions from across the diaspora have been incorporated into one diverse Israeli cuisine.
This is the story of cultures coming together, foods that are brought from far and wide and become Israeli cuisine. Our cameras follow Solo as he shows Americans a cuisine whose time has come.